Bubble/Debris: Art of the Heisei Period


Bubble/Debris: Art of the Heisei Period 1989-2019
Noi Sawaragi and Kyoto City Kyocera Museum of Art (Eds.)

254 mm x 183 mm
232 pages
JPY3,182
ISBN 9784790717515
Pub date: Feburary 2021
Language: Japanese/English

In an age of economic collapse, earthquakes, and terrorism ... when everything can disappear into scum bubbles on the surface of river, art has become not the work of individuals, but the collective activity of artists who have come together and scattered. Dense and decentralized aggregates of practice (formerly known as “art work”), left debris in their wake. This full-color publication features over 200 photographs of 70 major works by 14 representative groups and collectives of the Heisei era.  

Table of Contents
Foreword

Part I, in Three Chapters

Chapter 1: The Bubble Age
1989-2001/Heisei 1-13
 Complesso Plastico
 IDEAL COPY
 TECHNOCRAT
 DIVINA COMMEDIA

Chapter 2: From Bubbles to Debris
2001-2011/Heisei 13-23
 GEISAI
 Chim↑Pom
 Contact Gonzo
 Is Tohoku-ga possible?
 DOMMUNE
 Chaos*Lounge

Chapter 3: The Age of Debris
2011-2019/Heisei 23-31
 Parplume
 Suddenly, the view spreads out before us
 Kushino Terrace
 Kokufu Osamu’s Engine in the Water re-creation project
 Artificial Intelligence Art and Aesthetics Research Group

Part II, an Introduction and Three Essays

 Bubbles/Debris: Art of the Heisei Period 1989-2019   Sawaragi Noi
 The National Culture of an Era That Was Likely the Last to Experience a Sense of Unity in Accordance with the Japanese Imperial Era System   Akasaka Mari
 Nothing Much Has Changed   Tateiwa Shinya

 1989: The Terrible Dawn of Heisei―― The beginning of an era that started peacefully before disappearing like a wave of bubbly froth, and crumbling like a pile of debris   Katayama Morihide

A Short History of Heisei(1989-2019) Bubbles/Debris
List of Works

 You can see the movie: https://youtu.be/d6DHufOPeZk?si=OBnFs0Di05o1_GFp


A book cover that fades away like bubbles


The cover is doubl-foleded.


The photos appear on the flap of the cover and on its reverse side.


The cover unfolds to reveal 15 photographs featuring the latest works of 14 artists.


It can be cut out neatly along the perforation lines. When cut out, it becomes 15 postcards.

The book is completed only when the cards are pasted into the designated pages. Readers also participate in the collective activity of making the book.


The cover was chopped up and disappeared.

The postcards that have become debris will beaffixed to the book, where they will remain forever.

The book design embodies the theme of this book, “An era in which everything can disappear like bubbles and become debris.”

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